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Danelectro Launches Peace, Love & Fuzz

Danelectro Launches Peace, Love & Fuzz

Danelectro's Peace, Love & Fuzz: The Amazing Story of Danelectro Guitars, Snark Tuners, and Foxx Pedals book is available now.


The newly released book chronicles the life and career of Steve Ridinger, the man responsible for reviving Danelectro Guitars and the founder of Foxx Pedals and SnarkTuners.

"His production team worked until midnight trying to keep up with orders for the new pedals, often serenaded by the sound of fistfights and breaking bottles from the seedy beer bar next door."

"The story continues as Ridinger brings Danelectro – dormant for 30 years – back from obscurity in 1998 and sells more than 100,000 guitars in the first year. And later, during a long illness, Ridinger designs a better clip-on guitar tuner. He launches Snark in 2010 and it immediately becomes the market’s most popular tuner, with more than 15 million sold to date."

The book’s 87 pages was brought together to offer a fast-paced, firsthand account of energized entrepreneurship, as well as perseverance through devastating setbacks and challenges.

Ridinger’s prescience and innovation have won a broad range of admirers in the musical instruments industry. “Steve Ridinger is one of the most interesting people in the world,” says Josh Scott, founder of JHS Pedals. “Since his early teenage years, he has always been at the forefront of what was about to happen.”

“Peace, Love & Fuzz: The Amazing Story of Danelectro® Guitars, Snark Tuners, and Foxx Pedals” carries a $9.95 price and can be purchased at sweetwater.com.

For more information, please visit: https://www.sweetwater.com/store/detail/PeaceLvFz--danelectro-peace-love-and-fuzz-the-[…]ory-of-danelectro-guitars-snark-tuners-and-foxx-pedals-book.

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Photo by Katherine Salvador

Guest picker Mei Semones joins reader Jin J X and PGstaff in delving into the backgrounds behind their picking styles.

Question: What picking style have you devoted yourself to the most, and why does it work for you?

Guest Picker - Mei Semones

Mei’s latest album, Kabutomushi.

A: The picking style I’ve practiced the most is alternate picking, but the picking style I usually end up using is economy picking. Alternate feels like a dependable way to achieve evenness when practicing scales and arpeggios, but when really playing, it doesn’t make sense to articulate every note in that way, and obviously it’s not always the fastest.

Obsession: My current music-related obsession is my guitar, my PRS McCarty 594 Hollowbody II. I think it will always be an obsession for me. It’s so comfortable and light, has a lovely, warm, dynamic tone, and helps me play faster and cleaner. This guitar feels like my best friend and soulmate.

Reader of the Month - Jin J X

Photo by Ryan Fannin

A: For decades, the Eric Johnson-style “hybrid picking” with a Jazz III for “pianistic” voicings. Great for electric, though not so much acoustic. I’ve been recently learning to use a flatpick, à la Brian Sutton, by driving the pick “into” the string at an angle—which makes me think of Pat Metheny and George Benson, without irony.

Obsession: I’m still focused on understanding the concepts of jazz, neo-classical, and beyond, though I’m also becoming obsessed with George Van Eps’ 7-string playing, flatpicking, hip-hop beats, the Hybrid Guitars Universal 6 guitar, and the secret life of the banjo.

Editorial Director - Ted Drozdowski

A: Decades ago, under the sway of Mississippi blues artists R.L. Burnside, Junior Kimbrough, and Jessie Mae Hemphill, I switched from plectrum to fingerstyle, developing my own non-traditional approach. It’s technically wrong, but watching R.L., in particular, freestyle, I learned there is no such thing as wrong if it works.

Obsession: Busting out of my songwriting patterns. With my band Coyote Motel, and earlier groups, I’ve always encouraged my talented bandmates to play what they want in context, but brought in complete, mapped-out songs. Now, I’m bringing in sketches and we’re jamming and hammering out the arrangements and melodies together. It takes more time, but feels rewarding and fun, and is opening new territory for me.

Managing Editor - Kate Koenig

A: I have always been drawn to fingerpicking on acoustic guitar, starting with classical music and prog-rock pieces (“Mood for a Day” by Steve Howe), and moving on to ’70s baroque-folk styles, basic Travis picking, and songs like “Back to the Old House” by the Smiths. I love the intricacy of those styles, and the challenge of learning to play different rhythms across different fingers at the same time. This is definitely influenced by my classical training on piano, which came before guitar.

Obsession: Writing and producing my fifth and sixth albums. My fifth album, Creature Comforts, was recorded over the past couple months, and features a bunch of songs I wrote in 2022 that I had previously sworn to never record or release. Turns out, upon revisiting, they’re not half bad! While that one’s being wrapped, I’m trying to get music written for my sixth, for which I already have four songs done. And yes, this is a flex. 💪😎

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