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By jumping the bass and normal channels on a black-panel Fender Bassman and applying some simple settings tweaks, you can achieve vintage-bass-tone bliss.
Learn how classic Fender amplifiers can be tweaked and retrofitted to give you smooth, vintage bass tones.
Those of you who have read my earlier columns know I am a diehard fan of the classic Fender tube amps, particularly the black- and silver-panel-era Fenders. They’re great tone platforms that can take you in many directions with various guitars and pedals, and they work just as well for harmonica, electric piano, and bass guitar due to their natural, straightforward tone. In this column, I’ll share my experiences and tips for running a bass through different Fender guitar amps.
Guitar amps and speaker cabinets are normally built much lighter than typical closed bass-amp cabinets. High-wattage bass amps require dense, robust construction that can handle serious air pressure. They’re often closed cabinets with air intakes called bass reflex systems, which control airflow from the speaker vibration and enhance the lower frequencies. But even without a bass reflex system, some guitar amps can produce a nice bass-guitar tone. Obviously, they’re not capable of doing what an 8x10 Ampeg cabinet can do, but for me, that’s not relevant. The music that I listen to and play (mostly ’60s and ’70s rock, soul, and blues) has a laid-back yet articulate bass tone.
I grew up listening to a lot of Donald “Duck” Dunn’s Jazz and Precision bass-guitar playing on recordings by Otis Redding, Booker T. & the M.G.’s, and other legendary artists from Stax records in the ’60s. For Dunn’s tone—which drives the groove and forms a significant part of the mix—you don’t need an extremely deep or punchy bass. With classic Fender guitar amps, you can get a mellow bass tone with medium-low frequencies that blend in smoothly with a band.
Fittingly, the first amp I’d like to mention is the Fender Bassman. The black-panel version—a 50-watt head with a diode rectifier, negative feedback loop, and dual 6L6 tubes—shouts “clean headroom.” The 2x12 speakers in the matching, closed piggy-back cabinet sound bassy and tight, and offer more low end than any of the open-back Fender amps. The amp has two channels, one voiced for bass and one for guitar. The bass channel offers a deep switch to better tune in or out the lowest frequencies, and you can unlock more tone options by installing a 25k mid switch in the normal channel, a mod I explain in my May 2023 column, “Why Did I Ever Sell These Amps?” The mid switch acts like a fat boost that can trigger the amp to distort if you play at the threshold of the amp’s breakup point.“With classic Fender guitar amps, you can get a mellow bass tone with medium-low frequencies that blend in smoothly with a band.”
Another trick I like to do is jump channels. I dial in a full, relaxed tone on the bass channel, and a brighter tone on the normal channel with the bright switch on. (Sometimes I add some overdriven tones using the mid switch and volume on the normal channel.) If you’re after more volume, consider installing louder, more efficient speakers. The original Oxford, Jensen, or Utah speakers in vintage Fender amps are modest compared to modern ceramic or Neodymium speakers, which can help lighten the heavy speaker cabinet. Plus, you can use other external speaker cabinets with the 4-ohm Bassman head for more punch and different tones. The speaker impedance should be between 2 and 8 ohms, but 4 ohms will give you the most clean headroom.
The Fender Showman and Dual Showman are two other piggy-back amps worth mentioning. Compared to the Bassman, these models have some advantages. They boast almost twice the power for bigger stages and rooms, and the Dual Showman’s flexible impedance allows you to use a variety of speaker cabinets. (I prefer 10" and 12" speakers over the original 15" Showman ones for their faster response and lighter weight.) That said, they lack the Bassman’s deep switch, dedicated bass channel, and ability to jump channels.
Finally, we have the Tweed Bassman and the Super Reverb. By specs alone, the black-panel Super Reverb is the heir of the narrow-panel Tweed Bassman. Both have open-back 4x10 cabinets and a 40-watt, dual 6L6 power amp section in push/pull configuration. With four 10" speakers working together, the cabinet doesn’t necessarily need to be enclosed to achieve a nice bass tone. These amps will work well for bass guitar in practice and in smaller settings, but be careful with older 10" speakers. The dry, porous paper speaker cone and thin copper wires can easily be damaged at higher volumes, so for bass usage, I’d recommend replacing them with newer speakers. Since I use my amps for both guitar and bass, I like regular guitar-voiced speakers, but if you’re using the amp exclusively for bass, you might consider using bass-specific speakers.- Fender Bassman TV Fifteen Combo Amp Review ›
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The Man in Black returns with the unreleased Songwriter album. John Carter Cash tells us the story.
“The Man Comes Around” is a much-played song from the final album Johnny Cash recorded before his death in 2003, American IV: The Man Comes Around. Now, the Man in Black himself has come around again, as the voice and soul of an album he initially cut in 1993, titled Songwriter. It hits the street on June 28.
For fans who know Cash only through his much-loved American Recordings series, this is a very different artist—healthy, vital, his signature baritone booming, his acoustic playing lively, percussive, and focused. This is the muscular Johnny Cash heard on his career-defining recordings, from his early Sun Records sides like “Cry! Cry! Cry!” and “Folsom Prison Blues” to “Ring of Fire” and “Sunday Mornin’ Comin’ Down” to later, less familiar hits like “The Baron” and “That Old Wheel.” In short, classic Cash—the performer who became an international icon and remains one even 21 years after his death.
I recently visited the Cash Cabin recording studio—a log cabin on the Cash family property in Hendersonville, Tennessee, that was originally built as a sanctuary where Johnny wrote songs and poetry—with PG’s video team of Chris Kies and Perry Bean to talk about Songwriter with John Carter Cash, the son of Johnny and June Carter Cash.
In addition to getting the lowdown on Songwriter from John Carter Cash, he showed us some of the iconic guitars—including original Johnny Cash lead guitarist Luther Perkin’s 1953 Fender Esquire and a Martin that was favored by the Man himself—that dwell at the busy private studio. Check out this visit.
Guitarist, songwriter and bandleader Grace Bowers will independently release her highly anticipated debut album, Wine On Venus, August 9.
The new album adds to a breakout year for Bowers, who was recently selected as a U.S. Global Music Ambassador as part of the U.S Department of State and YouTube’s Global Music Diplomacy Initiative, is nominated for Instrumentalist of the Year at the 2024 Americana Music Association Honors & Awards and will make her debut performance on the legendary Grand Ole Opry on her eighteenth birthday, July 30, 2024. Other performances this year include shows supporting Slash, The Red Clay Strays and Brothers Osborne as well as stops at Levitate Music & Arts Festival, Floyd Fest, Bristol Rhythm & Roots Reunion, Bourbon & Beyond, XPoNential Music Festival and Pilgrimage Music & Cultural Festival. See below for complete tour itinerary.
Grace Bowers & The Hodge Podge - Tell Me Why U Do That (Official Video)
Produced by John Osborne (Brothers Osborne), Wine On Venus captures the electric energy of Bowers’ live performances with The Hodge Podge. The record consists of nine soul-infused tracks including a new version of Sly and the Family Stone’s “Dance to the Music” as well as previously release single, “Tell Me Why U Do That,” of which Forbes praises, “an infectious, joyous party and a worthy introduction to Bowers.” Additionally, The Bluegrass Situation declares, “an exceptional breakout talent who seems primed for a long career to come,” while RIFF Magazine calls her “The next generation’s star of American rock, blues and funk guitar.”
Of the record, Bowers shares, “I’m so excited to share my first album with the world in August! It’s been a long time coming, and I’m proud of what was created with the incredible Hodge Podge and John Osborne producing. We recorded everything live, as it should be, for this sonic journey. I hope you love it as much as I do.”
Additionally, of the title track, she reflects, “My nana was 100 years old when she passed away last year. She would always tell me that when she died, she would be drinking wine on Venus. She was a little eccentric but thought that was just something so cool. When she passed, I wrote a song about it.”
In addition to Bowers (guitar), the record features Joshua Blaylock (keys), Brandon Combs (drums), Eric Fortaleza (bass), Esther Okai-Tetteh (vocals) and Prince Parker (guitar) as well as songwriting collaborations with respected artists such as Ben Chapman, Meg McRee, Maggie Rose and Lucie Silvas.
Originally from the Bay Area and now calling Nashville home, Bowers began garnering attention after sharing videos of herself playing guitar on social media during the pandemic. In the years since, she’s been featured on “CBS Mornings” in a piece focused on a new wave of young female guitarists, performed alongside Dolly Parton as part of her Pet Gala special on CBS, joined Lainey Wilson as part of CBS’ New Year’s Eve Live celebration, performed as part of the “Men’s Final Four Tip-Off Tailgate Presented by Nissan” and been sought after by everyone from Devon Allman to Tyler Childers and Susan Tedeshi to Kingfish. Of her 2023 Newport Folk Festival debut, Rolling Stone declared, “Her 20-minute performance gave the distinct sense that everyone lucky enough to have attended was witnessing a star in the making,” while The Tennessean calls her “a 17 year old Blues guitar prodigy,” with a, “heart as big as her talent is vast.”
Most recently this summer, Bowers performed alongside Billy Idol at the Fired Up For Summer benefit concert and raised $30,000 for MusiCares and Voices for a Safer Tennesseewith her 2nd Annual “Grace Bowers & Friends: An Evening Supporting Love, Life & Music” benefit show. With the release of Wine On Venus (distributed by The Orchard), Bowers will further establish herself as one of music’s most intriguing new artists.
For more information, please visit gracebowers.com.
The new destination on Reverb will feature an always-changing collection of new and like-new music gear from top brands for at least 20% off retail prices.
“Outlet music gear is a fantastic value for music makers. Often, it’s brand new overstock or clearance music gear that retailers or brands are simply looking to clear out. Other times, it’s gear that’s been opened, used for a demo, or simply doesn’t have its original box, but is otherwise in like-new condition,” said Jim Tuerk, Reverb’s Director of Business Development. “With the launch of the Reverb Outlet, we’re making it easy to access your favorite brands for less.”
The Reverb Outlet will feature high-quality discounted music gear from Reverb’s community of authorized sellers, ranging from retailers like ProAudioStar and Alto Music to brands like Focusrite and Korg selling discounted items directly to music makers. All of the new and like-new music gear in The Reverb Outlet:
- Is at least 20% off retail prices—but often more
- Is sold by authorized retailers and brands
- Comes with free shipping, and
- Has a minimum 7-day return window.
“With economic pressures making it harder for music makers to invest in music gear, it’s more important than ever that the music-making community has access to affordable musical instruments. We launched the Reverb Outlet to make it easier for music makers to find the best deals on the instruments that will inspire them,” said Reverb CEO David Mandelbrot. “Now that players can shop discounted outlet music gear alongside our huge range of affordable used music gear, it’s easier than ever to find the perfect instrument for your budget.”
Visit the Reverb Outlet today and check back often, as new deals will be added regularly. Please note that as of now, this is available to those in the US only.
For more information, please visit reverb.com.
Introducing the limited-edition HALO Core by Keeley Electronics, with only 300 units available.
Andy Timmons’ mysterious-sounding “Halo” effect is a modulated dual echo sound that has long been kept a secret by the tone wizard himself. Andy spent decades combining and crafting the sounds you can now get from the HALO Core.
Notes from the HALO Core dance rhythmically, almost creating a reverb diffusion. Those notes are held together with tape-style effects like modulation, saturation, and compression. The results are stunning.
Discover the latest from Keeley Electronics: the HALO Core, a streamlined version of our top-sellingHALO Andy Timmons Dual Echo. The HALO Core delivers Andy's iconic ‘HALO’ sound and includes a 1/4 Note Mode, offering all the essential features without any unnecessary extras.
Key Features
- True Stereo Input and Output: Enjoy immersive sound quality with true stereo capabilities.
- Switchable Trails or True Bypass: Easily switch between trails or true bypass operation on the fly to suit your playing style.
- All-Wet or All-Dry Modes: The HALO Core is engineered to work perfectly with straight-into-amp and effects loop setups.
- Tap Tempo Footswitch: Achieve perfect timing with the new dedicated Tap Tempo footswitch.
- Redesigned ‘Infinite Hold’ Feature: Experience enhanced sound with our improved Infinite Hold feature
- Intuitive Alt Controls: Fine-tune your sound with adjustable High Pass Filter, Delay Tone, and tape-like Saturation controls.
The HALO Core is the ideal grab-and-go, studio-grade delay pedal, offering professional quality in an easy-to-use format. Elevate your music with Keeley Electronics' HALO Core.
Use the Saturate control to add tape compression texture to your tone. The Tone and High Pass Filter controls your overall delay shape and mix. Set the Time and Feedback controls low, and you can open up a world of ambient chorus and flanger effects. Run the HALO in stereo for incredible true-stereo imaging.
MSRP $199.00
For more information, please visit robertkeeley.com.